The Secret Doctrine 1.3.8

Where was the Germ, and where was now Darkness? Where is the Spirit of the Flame that burns in thy Lamp, O Lanoo? The Germ is That, and That is Light, the White Brilliant Son of the Dark Hidden Father.

The answer to the first question, suggested by the second, which is the reply of the teacher to the pupil, contains in a single phrase one of the most essential truths of Occult Philosophy. It indicates the existence of things imperceptible to our physical senses which are of far greater importance, more real and more permanent, than those that appeal to these senses themselves. Before the Lanoo can hope to understand the transcendentally metaphysical problem contained in the first question, he must be able to answer the second; while the very answer he gives to the second will furnish him with the clue to the correct reply to the first.

In the Sanskrit Commentary on this Stanza, the terms used for the concealed and the unrevealed Principle are many. In the earliest MSS. of Indian literature this Unrevealed Abstract Deity has no name. It is generally called “That” (Tad, in Sanskrit), and means all that is, was, and will be, or that can be so received by the human mind.

Among such appellations given—of course, only in Esoteric Philosophy—as the “Unfathomable Darkness,” the “Whirlwind,” etc., it is also called the “It of the Kâlahansa,” the “Kâla‐ham‐sa,” and even the “Kâli Hamsa” (Black Swan). Here the m and the n are convertible, and both sound like the nasal French an or am. As in the Hebrew so also in the Sanskrit many a mysterious sacred name conveys to the profane ear no more than some ordinary, and often vulgar word, because it is concealed anagrammatically or otherwise. This word Hansa, or Hamsa, is just such a case. Hamsa is equal to “A‐ham‐sa”—three words meaning “I am He”; while divided in still another way it will read “So‐ham,” “He [is] I.” In this single word is contained, for him who understands the language of wisdom, the universal mystery, the doctrine of the identity of man’s essence with god‐essence. Hence the glyph of, and the allegory about, Kâlahansa (or Hamsa), and the name given to Brahman (neuter), later on to the male Brahmâ, of Hamsa‐ vâhana, “he who uses the Hamsa as his vehicle.” The same word may be read “Kâlaham‐sa,” or “I am I, in the eternity of time,” answering to the Biblical, or rather Zoroastrian, “I am that I am.” The same doctrine is found in the Kabalah, as witness the following extract from an unpublished MS. by Mr. S. Liddell McGregor Mathers, the learned Kabalist:

The three pronouns, הוא, אתה, אני, Hua, Ateh, Ani—He, Thou, I—are used to symbolize the ideas of Macroposopus and Microprosopus in the Hebrew Qabalah. Hua, “He,” is applied to the hidden and concealed Macroprosopus; Ateh, “Thou,” to Microprosopus; and Ani, “I,” to the latter when He is represented as speaking. (See Lesser Holy Assembly, 204 et seq.) It is to be noted that each of these names consists of three letters, of which the letter Aleph א, A, forms the conclusion of the first word Hua, and the commencement of Atah and Ani, as if it were the connecting link between them. But א is the symbol of the Unity and consequently of the unvarying Idea of the Divine operating through all these. But behind the א in the name Hua are the letters ו and ה, the symbols of the numbers Six and Five, the Male and the Female, the Hexagram and the Pentagram. And the numbers of these three words, Hua, Ateh, Ani, are 12, 406, and 61, which are resumed in the key numbers of 3, 10, and 7, by the Qabalah of the Nine Chambers which is a form of the exegetical rule of Temura.

It is useless to attempt to explain the mystery in full. Materialists and the men of Modern Science will never understand it, since, in order to obtain clear perception of it, one has first of all to admit the postulate of a universally diffused, omnipresent, eternal Deity in Nature; secondly, to have fathomed the mystery of electricity in its true essence; and thirdly, to credit man with being the septenary symbol, on the terrestrial plane, of the One Great Unit, the Logos, which is Itself the seven‐ vowelled sign, the Breath crystallized into the Word. He who believes in all this, has also to believe in the multiple combination of the seven planets of Occultism and of the Kabalah, with the twelve zodiacal signs; and attribute, as we do, to each planet and to each constellation an influence which, in the words of Mr. Ely Star (a French astrologer), “is proper to it, beneficent or maleficent, and this, after the planetary spirit which rules it, who, in his turn, is capable of influencing men and things which are found in harmony with him and with which he has any affinity.” For these reasons, and since few believe in the foregoing, all that can now be given is that in both cases the symbol of Hansa (whether I, He, Goose or Swan) is an important symbol, representing, among other things, Divine Wisdom, Wisdom in Darkness beyond the reach of men. For all exoteric purposes, Hansa, as every Hindû knows, is a fabulous bird which, when (in the allegory) given milk mixed with water for its food, separated the two, drinking the milk and leaving the water; thus showing inherent wisdom—milk standing symbolically for spirit, and water for matter.

That this allegory is very ancient and dates from the very earliest archaic period, is shown by the mention, in the Bhâgavata Purâna, of a certain caste named Hamsa or Hansa, which was the “one caste” par excellence; when far back in the mists of a forgotten past there was among the Hindûs only “One Veda, One Deity, One Caste.” There is also a range in the Himâlayas, described in the old books as being situated north of Mount Meru, called Hamsa, and connected with episodes pertaining to the history of religious mysteries and initiations. As to Kâlahansa being the supposed Vehicle of Brahmâ‐Prajâpati, in the exoteric texts and translations of the Orientalists, it is quite a mistake. Brahman, the neuter, is called by them Kâla‐hansa, and Brahmâ, the male, Hansa‐vâhana, because, forsooth, “his vehicle is a swan or goose.” This is a purely exoteric gloss. Esoterically and logically, if Brahman, the infinite, is all that is described by the Orientalists, and, agreeably with the Vedântic texts, is an abstract deity, in no way characterized by the ascription of any human attributes, and at the same time it is maintained that he or it is called Kâlahansa—then how can it ever become the Vâhan of Brahmâ, the manifested finite god? It is quite the reverse. The “Swan or Goose” (Hansa) is the symbol of the male or temporary deity, Brahmâ, the emanation of the primordial Ray, which is made to serve as a Vâhan or Vehicle for the Divine Ray, which otherwise could not manifest itself in the Universe, being, antiphrastically, itself an emanation of Darkness—for our human intellect, at any rate. It is Brahmâ, then, who is Kâlahansa, and the Ray, Hansa‐vâhana.

As to the strange symbol thus chosen, it is equally suggestive; the true mystic significance being the idea of a Universal Matrix, figured by the Primordial Waters of the Deep, or the opening for the reception, and subsequently for the issuing, of that One Ray (the Logos) which contains in itself the other Seven Procreative Rays or Powers (the Logoi or Builders). Hence the choice by the Rosecroix of the aquatic fowl—whether swan or pelican—with seven young ones, for a symbol, modified and adapted to the religion of every country. Ain Suph is called the “Fiery Soul of the Pelican” in the Book of Numbers. Appearing with every Manvantara as Nârâyana, or Svâyambhuva, the Self‐Existent, and penetrating into the Mundane Egg, it emerges from it at the end of the divine incubation as Brahmâ, or Prajâpati, the progenitor of the future Universe, into which he expands. He is Purusha (Spirit), but he is also Prakriti (Matter). Therefore it is only after separating itself into two halves—Brahmâ‐Vâch (the female) and Brahmâ‐Virâj (the male)—that the Prajâpati becomes the male Brahmâ.